In my latest YouTube video I go through my process of creating this piece of pinup style art for a Zazzle Tshirt. In order to do this I start off by sketching in Sketchbook Pro and refine it, then bring it into Illustrator for digital inking and flat colouring and finally some digital painting in Photoshop.
Due to popular demand, I ended up doing two cartooning workshops back to back at The Quarry Arts Centre in Whangarei on Monday this week. Thanks to everyone attended. There are clearly some great budding cartoonists out there. We covered a lot of topics in 2.5 hours which included using basic shapes to construct different characters, creating dynamic poses and even down to some of the finer points of proportion and anatomy.
I got some great feedback afterwards, including this awesome video from one highly talented young lady.
Thanks also to all the friendly helpful staff and artists in residence at The Quarry.
I hope to do some more workshops here in the near future anyone interested in attending future workshops, or in hosting one please contact me via my contact form or add your name to my newsletter mailing list on the home page.
Final coloured version. A bit more tweaking in Illustrator in Photoshop and I’m finally happy with this piece. I’m particularly happy with the colour contrast between the red hair of the “Glamazon” and the blue monochrome of the background.
In this version I’ve taken the previous greyscale flats and tweaked it in Photoshop adding some shading with the airbrush tool and pushing the hue of he whole image to a monochromatic blue, apart of course, from the red eyes of the pursuing creatures.
Flats done in Greyscale in Adobe Illustrator. A “Flat” is simply a broad area of colour or tone that has no shading or textural detail added to it. Why Greyscale? At this stage it’s important to establish that the tones have enough contrast to create a clear division between the subject and the foreground and the background
Digitally “Inking” the outlines in Adobe Illustrator. This process requires the creation of some custom brushes in Adobe Illustrator. A process which I discuss in some detail in this video http://youtu.be/W8KJ2Fw6lss The custom brushes that I made give nice thick and thin lines like an actual ink brush. The great thing about illustrator’s digital “Ink” is that it can be tweaked and smoothed until it’s exactly right. No whiteout, and no spilled ink on the carpet!
I’m starting to nail it down a bit more now. With a bit more drawing in Sketchbook Pro. my Glamazon girl is going to be facing some kind of demonic creature and I’ve decided to use the creature as a framing device to make her the central focus of the image.
Thought I’d post an experiment with a new digital painting workflow I’m trying out with Sketchbook Pro, Adobe Illustrator and Photoshop. The idea being to create a piece of work that has a painted look by sketching an idea in Sketchbook Pro then creating a flat tonal greyscale image in Adobe Illustratorand then adding colour and airbrush effects in Photoshop at the end stage. By working this way in a tightly controlled logical sequence of steps I hope to avoid some of the pitfalls involved with a looser digital painting such as getting the colour balance wrong and also losing the feel of the initial sketch with too much overpainting.
Here’s the first stage. A very rough concept sketch done in Sketchbook Pro.
I posted a new 3 part video on my YouTube channel this week of me drawing a Jungle Girl Pin up. Instead of the usual time lapse videos that I’ve done before , these are in real time and I talk a bit about the process as I do it.
Here’s part one
To see parts one and two and to subscribe to my YouTube channel please go here